Showing posts with label My Books and Myself. Show all posts
Showing posts with label My Books and Myself. Show all posts

Friday, February 10, 2023

The Bed of Procrustes : Philosophical and Practical Aphorisms - Nassim Nicholas Taleb

Reading Logs :

This is my very first book of Nassim Nicholas Taleb. His anecdotes are quite  interesting. Here I'm sharing few of my favourite lines from the book.
Image Courtesy Google

From "The Bed of Procrustes" By Nassim Nicholas Taleb : 

To bankrupt a fool, give him information.
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Academia is to knowledge what prostitution is to love; close enough on the surface but, to the nonsucker, not exactly the same thing.*
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In science you need to understand the world; in business you need others to misunderstand it.
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I suspect that they put Socrates to death because there is something terribly unattractive, alienating, and nonhuman in thinking with too much clarity.
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Modernity’s double punishment is to make us both age prematurely and live longer.
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An erudite is someone who displays less than he knows; a journalist or consultant, the opposite.
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The best revenge on a liar is to convince him that you believe what he said.
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They will envy you for your success, for your wealth, for your intelligence, for your looks, for your status—but rarely for your wisdom.
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Most of what they call humility is successfully disguised arrogance.
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If you want people to read a book, tell them it is overrated.
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You never win an argument until they attack your person.
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The most painful moments are not those we spend with uninteresting people; rather, they are those spent with uninteresting people trying hard to be interesting.
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Hatred is love with a typo somewhere in the computer code, correctable but very hard to find.
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Hatred is much harder to fake than love. You hear of fake love; never of fake hate.
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The opposite of manliness isn’t cowardice; it’s technology.
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Usually, what we call a “good listener” is someone with skillfully polished indifference.
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People reserve standard compliments for those who do not threaten their pride; the others they often praise by calling “arrogant.”
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When she shouts that what you did was unforgivable, she has already started to forgive you.
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Most people fear being without audiovisual stimulation because they are too repetitive when they think and imagine things on their own.
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Some people are only funny when they try to be serious.

Monday, December 26, 2022

A Miscellany Revised - E. E. Cummings.

While the modern society is teaching the next generations, how to stop feeling anything and everything, we wonder, devoid of any feeling where the artist really stands in this modern society. Or perhaps the modern society doesn't need any feeling or any artists because everything turned into a grand spectacle of society by the technological advancement !!  With something like "to feel is to sin", how could we differentiate between a machine and a man in future ? The poet raised a lot many questions regarding arts and artists in this book of essays.

From "A Miscellany Revised" By E. E. Cummings.

Image Courtesy Google

Simple people, people who don’t exist, prefer things which don’t exist, simple things.

“Good” and “bad” are simple things. You bomb me = “bad.” I bomb you = “good.” Simple people (who, incidentally, run this socalled world) know this (they know everything) whereas complex people—people who feel something—are very, very ignorant and really don’t know anything.

Nothing, for simple knowing people, is more dangerous than ignorance. Why?

Because to feel something is to be alive.

As if an educated modern man by nature / and by definition must be a man who lacks all sorts of feeling. The society is intimidated by the people who are actually "alive" because it cannot make them confirm into their mould of civilization.

Ignorant people really must be educated; that is, they must be made to stop feeling something, and compelled to begin knowing or measuring everything. Then (then only) they won’t threaten the very nonexistence of what all simple people call civilization.

Very luckily for you and me, the uncivilized sun mysteriously shines on “good” and “bad” alike. He is an artist.

E.E. Cummings : Image Courtesy Google

Nothing measurable can be alive; nothing which is not alive can be art; nothing which cannot be art is true: and everything untrue doesn’t matter a very good God damn . . . 

From "A Miscellany Revised" By E. E. Cummings.

Tuesday, March 6, 2018

My ode to Fernando Pessoa

Found this old post in drafts, Quite amusing !!! Seems some delusional nerdy girl wrote it. :) :)

My ode to the greatest writer Fernando Pessoa. I call him, The Intruder...

The Intruder

Image courtesy Google

Earlier He gave me an impression of a kindred spirit..

A true soulmate..

Now He is demanding all my time..my attention...

I could neither bear the darkness of the deep abyss of his thoughts nor the brightness of the wildfire of his being..

Beware, His illuminating soul would sweep you off  your feet...

I would feel his eternal presence...He was there in everything I do...everything I say..

My mind so full of his chattering..

They'd ask me, 'Why are you so absent minded?'...'Self-absorbed?'

Can't they see!!  He possessed me !!!  Or I possessed him !!!

He is present when I myself am absent to the world...

I can see now, He is nothing but an unwanted acquaintance. A dangerous company.

The beloved intruder I couldn't get rid of..

#Twintalk #readingblues

Friday, June 17, 2016

Dark Star:The loneliness of being Rajesh Khanna - Gautam Chinamani

Blessed are the hearts that can bend; they shall never be broken." - Albert Camus. 

These popular Camus words summoned up into my mind after completing the book,'Dark Star-The loneliness of being Rajesh Khanna',written by Gautam Chinamani..In my schooldays,I happened to watch Anand for the very first time on TV..Though I'm not old enough to understand all that serious existential sort of stuff at that moment,this movie gave me an entirely different perspective on life..Must say,it introduced an unfamiliar sense of life to a 14 year old quite eloquently..Perhaps that's the very first time I sensed 'death',and thus I sensed 'life'..Till that moment I'm unaware of the word 'melancholy'..The face behind that experience was none other than Rajesh Khanna's,no wonder I made him my idol that instant..Later,driven by that madness,I started writing a diary in which the first page starts with his lines from my all time favourite song "Dil jane mere sare bhed ye gehre.. hogaye kaise mere sapne sunehre"..:) Though I'm a hard core fan of Big B,Khanna is someone special,who is so dear to my heart (Not to forget Hrishikesh Mukherji here)..Briefly that's my Rajesh Khanna story.
Image courtesy Google
Whosoever are familier with the phenomenon of Rajesh Khanna,if they happened to read this work,they would definitely feel the constant clash between the images of their idol 'The Rajesh Khanna' and a very ordinary human being next door 'Jatin Khanna'..The book widely discussed the Super star's film career,a journey of shocking ups and downs..Mostly the author shed light on the 'human being' behind the 'Superstar' image..In this we would be acquainted with an entirely different human being from his screen image,an insecure,jealous and complex Khanna..But if we examine his life in a different perspective,we don't easily jump to conclusions and brand him as an arrogant/bad person..Instead we'll realize the fact that he is as childish and insecure as any other ordinary human being,just like us..That simply makes us love him even more,the real Rajesh Khanna behind the Superstar...We would learn from the bitter experiences of the man for leaving his success,jealousy and insecurities unguarded..In this work,all his movies were discussed briefly along with the story plot and the foreword by Sharmila Tagore is brilliant and justifying..
She says "I am glad that at last there is a book on Rajesh Khanna. If ever a Hindi cinema star deserved a book, it is surely he."
The easy flow and narration broke my regular habit of noting down all my favourite lines from reading,however I managed to note down a few...

Goutam Chintamani-Image courtesy Google
Here are few lines from the book..
Describing him as someone with the ‘charisma of Rudolph Valentino, the arrogance of Napoleon’, the BBC’s documentary Bombay Superstar (1973) reinforced the tag that Khanna had got used to.

‘Saawan Kumar through Sahir's lines : 'Le de kar fakat ek nazar hi to hai humare paas; kyon dekhen zindagi ko kisi ki nazar se?’ (I had made my films the way I saw life. Why would I ever choose to see things from someone else’s perspective?)

From epilogue...The essence..
Every time Khanna made an overseas trip, he returned with gifts. Sometimes he presented them to the people he had picked them up for and sometimes he forgot about them. Many a time, he didn’t even bother opening the suitcases he returned with. After his death, almost sixty-four unopened suitcases were found strewn across Aashirwad – quite odd for someone who loved to play the host and lived to regale people he considered close. Rajesh Khanna’s loneliness was not something that was locked or hidden from sight. Neither was it a burden left behind by unprecedented fame. As is evidenced by the unopened boxes, it was possibly ingrained deep within him. Locked up in the suitcase of his heart was the need to be alone – something that had always existed. But the world was either too blinded by the radiance of the star or too lost in the darkness surrounding it to notice.

Monday, June 6, 2016

39th Chennai Book Fair-2016

The grand Chennai book fair that was to be held January was postponed for the first time in 38 years due to heavy floods in November..But instead a semi Pongal book fair was held in January this year with around 250 stalls...So here again,after a long time wait The Chennai book fair was started from 1st June and will be held till 13th of June..This time also it is organized in a grand scale with 700 stalls..We visited it yesterday and bought few more books,mostly for my kiddoo..So regarding books it's double pleasure this year..We were there at sharp 11 am,opening time and had a really great time visiting each and every stall to our hearts content..As usual most of the stalls were Tamil books..Children book trust has a very wide range of books with reasonable prices..

Here are few pics from the day,
Copyright A Homemaker's Utopia
Copyright A Homemaker's Utopia
My little hero busy exploring.. :)
Copyright A Homemaker's Utopia
Copyright A Homemaker's Utopia
Copyright A Homemaker's Utopia
Our loot this year :)
Copyright A Homemaker's Utopia
A few from Gita press for the first time..
Copyright A Homemaker's Utopia
Copyright A Homemaker's Utopia

Friday, March 4, 2016

Norwegian Wood - Haruki Murakami

These Japanese authors I've read so far,their novels have a unique way of narration..From Yasunari Kawabata to Kazuo Ishiguro,and now Haruki Murakami,every write-up has an undercurrent of a certain calmness and sadness..When you start reading these novels,initially nothing much appears exciting or soul stirring..In most of the plots,always the agitation stays in the background..And the foreground is beautifully trimmed by simple talks...I mean very simple..You never get to know when you are falling into a ravine all of a sudden because the calmness is surprisingly seasoned by intense emotions and Catch 22 situations..
Image courtesy Google
'Norwegian wood' is one such beautifully crafted story by Japanese author Haruki Murakami..This is the story of Toru Watanabe,our protagonist,studying in Tokyo..He stays in a dormitory in Tokyo with Nagasawa,an intense narcissist and friend of him..Toru spends most of his free time with his best buddies Naoko and Kizuki...This group of three was inseparable..Naoko and Kizuki share a very rare relationship..They are in love since their childhood..Toru narrates his experiences as a student and his simple life in dormitory..Everything goes well until the sudden suicide of Kizuki and also Kizuki's sudden demise takes a toll on Naoko's mental health..Then Toru tries to help her to overcome her sadness in asylum..Meanwhile he deeply fell in love with her and he keep visiting her frequently..Sometime it appears like he is taking advantage of her vulnerable condition but Toru feels  like Naoko is his responsibility after Kizuki's death...Reiko,the guitarist and Naoko's close companion in asylum become friends with Toru...Toru's assurances and support helps Naoko's recovery...But there comes Midori,a fellow student of Toru,and her entry in his life brings an unexpected turn in Toru's life..The remaining story is all about that clutch..

Coming to the characters Naoko and Midori looks like two opposite sides of a coin..Naoko is calm, soft and full of sadness where as Midori is crazy and full of life..Nagasawa is one more interesting character full of narcissistic ideas..Toru's life is a constant depiction of clash between morality and practicality..He has to choose between either sides..
There are few concepts which I don't like or I fail to understand but altogether it is a wonderful read..

Here are few interesting lines from the book..
Nagasawa. He was a far more voracious reader than me, but he made it a rule never to touch a book by any author who had not been dead at least 30 years."That's the only kind of book I can trust," he said. "It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short..
Balzac, Dante, Joseph Conrad, Dickens," he answered without hesitation."Not exactly fashionable."       "That's why I read them. If you only read the books that everyone else is reading, you can only think what everyone else is thinking..
Nagasawa is beyond liking or not liking. He doesn't try to be liked. In that sense, he's a very honest guy, stoic even. He doesn't try to fool anybody.
"I'm just an ordinary guy - ordinary family, ordinary education, ordinary face, ordinary exam results, ordinary thoughts in my head.""You're such a big Scott Fitzgerald fan... wasn't he the one who said you shouldn't trust anybody who calls himself an ordinary man? You lent me the book!" said Naoko with a mischievous smile.
"What makes us most normal," said Reiko, "is knowing that we're not normal.
I probably still haven't completely adapted to the world.' I said after giving it some thought. "I don't know, I feel like this isn't the real world. The people, the scene: they just don't seem real to me."
I don't know you well enough to force stuff on you.""You mean, if you knew me better, you'd force stuff on me like everyone else?""It's possible," I said. "That's how people live in the real world: forcing stuff on each other."
Death exists, not as the opposite but as a part of life."
What I learned from her death was this: no truth can cure the sadness we feel from losing a loved one. No truth, no sincerity, no strength, no kindness, can cure that sorrow. All we can do is see that sadness through to the end and learn something from it, but what we learn will be no help in facing the next sadness that comes to us without warning.

Tuesday, December 8, 2015

Kingdom's End - Saadat Hasan Manto

The book starts with an introduction like,
Saadat Hasan Manto wrote his own epitaph six months before he died..
This is what he said:Here lies Saadat Hasan Manto and with him lie buried all the secrets and mysteries of the art of short-story writing.Under tons of earth he lies,still wondering who among the two is the greater short-story writer: God or he.
Copyright A Homemaker's Utopia
These lines clearly indicate the author's caliber as a short-story writer..Saadat Hasan Manto is known as the most celebrated author in Urdu although his writings are considered obscene in those times..I was quite reluctant to write my reading experience about this work,as I know I couldn't justify my actual delight of reading it..I loved it that much..Manto share his ease of gripping story telling art with another legendary writer,poet Gulzar..There are many resemblances in the simplicity,style and ease with which both the authors narrate the story that certainly leaves us spellbound...Both the authors depicted Partition horrors in a very touching manner as we know they themselves identify with those stories..Apart from partition stories Manto was first to write about what had until then forbidden territory in Urdu literature..His writings reflect his empathy towards the ordinary lives of rejects of society..

This book titled with one of the stories 'Kingdom's End' consists 28 finest stories about various concepts like partition,whore houses,sexual urge,adolescence etc..Manto,the supreme humanist depicts the lives of those ordinary in an extraordinary manner..There is no greatness in seeing beauty in great things but to bring out the beauty in plain and common things is vital..And this author is a master story teller in that regard..Though I loved each and every story,as far as I remember,Mozail,A woman's life,Siraj,The wild Cactus are few of my favourites among them..Stories like The woman's life,Siraj and The room with bright light depicts the irony of whore houses..I still wonder how could I so loved these vulgar lives,for I used to look upon them so indifferently and disrespectably till now...I never knew that nakedness could be so respectful and dignified until I read Manto..He did not tried  to hide any truth or vulgarity but he presented them as they really are,yet in a beautiful way..Certainly he is one of those great writers who would bring gems out of clay...I would say this one of the few delightful reads for me this year..

Here are few lines from the book,
About Manto's writing in the story Babu Gopinath,
He had a talent for coining words which,though not to be found in any dictionary,somehow always managed to express his meaning.'When he writes,it is dharan thaktha.Nobody can get people's "continuity" together like him.
Mozail's last words,
Take away this rag of your religion.I don't need it.
From the story 'On the Balcony',
I'm afraid of death because I want to live.You are not afraid of death because you do not know how to live.A person does not know the art of living,for him to be alive is like being dead...
From the story 'Mummy'...about Mummy:
She was wearing the same vulgar,tasteless make-up under which her wrinkles could be seen in high relief.She looked happy.I wondered why people thought escape to be a bad thing.Here was an act of escape.The exterior was unattractive,but soul was beautiful.Did she need all those unguents,lotions and colouring liquids ?
Publisher : Penguin Modern Classics
Pages : 309

Saturday, November 14, 2015

Factotum - Charles Bukowski

A couple of weeks back it seems,I scribbled few lines like "What am I reading""...Yes after finishing this dirty and filthy read I couldn't help but questioning myself ""What the**** am I reading ?" Forgive me for writing this way,but this must be Bukowski effect for sure..And this is going to be my first and last read from this author..The other day I stumbled upon some of his impressive quotes on net and without a second thought I picked up his work..I'm used to picking up a book with blank impression for I feel getting to know the details always spoil the actual experience of reading..

Image courtesy Google
However I would always enjoy a book,either good or bad when it comes to reading,for I believe in the popular saying by Benjamin Disraeli "A new acquaintance is like a new book.I prefer it,even if bad, to a classic..

Now after all the negative blabbering about this sort of gritty literature,let me tell you some positives too.At the beginning Charles Bukowski sounded like a renowned Telugu author Chalam,who wrote in the similar way but in a very composed manner I must say) But as we go further,it turned out to be more and more raw and naked..Needless to say Bukowski is horribly honest,however it is so disagreeable and nasty..It was said that the protagonist Henry Chinaski's characterization is based on the author's real life personality..Yet another theory of existentialism but completely unrefined in style...

If we consider the fact that a capable writer is the one who only writes about the life he lived,we would certainly honour Charles Bukowski for the awful revelations of his life through the character of Henry Chinaski..If you are one of those who believe literature is not only about fairy tales and glass castles,then you'll be able to understand this author,he'll show you the the other side of the coin..Vulgar language,dirty lanes,whore houses and the wild wandering life of Henry Chinaski..

Here are few interesting lines from the book,
But starvation, unfortunately,  didn’t improve art. It only hindered it. A man’s soul was rooted  in his stomach. A man could write much better after eating a  porterhouse steak and drinking a pint of whiskey than he could  ever write after eating a nickel candy bar. The myth of the  starving artist was a hoax. Once you realized that everything  was a hoax you got wise and began to bleed and burn your  fellow man. I’d build an empire upon the broken bodies and  lives of helpless men, women, and children—I’d shove it to  them all the way. I’d show them.
Frankly, I was horrified by life,  at what a man had to do simply in order to eat, sleep, and keep himself clothed. So I stayed in bed and drank.
“I’m a genius but nobody knows it but me.”
My ambition is handicapped by laziness.” 
I don’t think that flowers are meant for the dead who  don’t need them,” I said rather lamely.
I wasn’t very good. My idea was to wander about doing  nothing, always avoiding the boss, and avoiding the stoolies  who might report to the boss. I wasn’t all that clever. It was  more instinct than anything else. I always started a job with  the feeling that I’d soon quit or be fired, and this gave me a  relaxed manner that was mistaken for intelligence or some  secret power.
These people are assholes, assholes! They have no intel-ligence! They don’t know how to think! They’re afraid of the mind!They’re sick! They’re cowards! They aren’t thinking men like you and me. 
                      I need a writer. Are you a good one ?
                     “Every writer thinks he’s a good one.”
We chatted and after a few minutes a girl came in and  handed John the check. He reached across the desk and handed  it to me. A decent guy. I heard later that he died soon after  that, but Jan and I got our beef stew and our vegetables and  our French wine and we went on living.
I  wanted to be a writer. Almost everybody was a writer. Not  everybody thought they could be a dentist or an automobile  mechanic but everybody knew they could be a writer. Of those  fifty guys in the room, probably fifteen of them thought they  were writers. Almost everybody used words and could write them down, i.e., almost everybody  could be a writer. But most men, fortunately, aren’t writers,  or even cab drivers, and some men—many men—unfortunately  aren’t anything.
"Some people don’t like anybody who is famous.”  “And some people don’t like anybody who isn’t".

Tuesday, November 3, 2015

Winter Journal - Paul Auser

Earlier this month when I was browsing through my reading shelf,this book with the title 'Winter Journal' caught my eye..As the Indian winter is almost here I thought this would be befitting title to read..This is my first book from this author,Paul Auster,about whom I learnt sometime back when I was looking for stuff on 'Existentialism',my new passion these days..Though Camus and Hesse introduced me to this very topic,Paul Auster's approach was a bit more simple and transparent when compared to their theories..The absurdity in Hesse and Camus seems somewhat intense,inapplicable to practicality where as Paul Auster's journal come with more feasible explanations.

Image Courtesy Google
It's not a memoir but a journal which unfolds the author's experiences and minute details of his day to day life..The whole narration is in second person which is like he is speaking to his own self..The author narrates his experiences starting from the crucial transitional period of self awareness when he was thirty-one years old,his first marriage had just cracked apart and he had an eighteen-month-old son and no regular job,no money to speak of,inadequate living as a freelance translator, author of three small books of poetry with at most one hundred readers in the world..
Your work had staggered to a halt, you were stuck and confused, you had not written a poem in more than a year, and you were slowly coming to the realization that you would never be able to write again. Such was the spot you were in that winter evening more than thirty-two years ago when you walked into the high school gym to watch the open rehearsal of Nina W.’s work in progress.
The best part about the book is the way he described about his mother who was a very strong woman but completely shattered when she lost her love..
When she was young, from her late twenties to her early forties, a mysterious combination of carriage, poise, and elegance, the clothes that pointed to but did not overstate the sensuality of the person inside them, the perfume, the makeup, the jewelry, the stylishly coiffed hair, and, above all, the playful look in the eyes, at once forthright and demure, a look of confidence, and even if she wasn’t the most beautiful woman in the world, she acted as if she were, and a woman who can pull that off will inevitably make heads turn.
Needless to say this is a perfect winter read..Through out reading you would have a wonderful company of a man who would surprise you with his profound sense of outlook towards life.

Here are more few favourite thoughts from this book,
Afraid to die, which in the end is probably no different from saying: afraid to live.
You would like to know who you are. With little or nothing to guide you, you take it for granted that you are the product of vast, prehistoric migrations, of conquests, rapes, and abductions, that the long and circuitous intersections of your ancestral horde have extended over many territories and kingdoms, for you are not the only person who has traveled, after all, tribes of human beings have been moving around the earth for tens of thousands of years, and who knows who begat whom begat whom begat whom begat whom begat whom to end up with your two parents begetting you in 1947? You can go back only as far as your grandparents, with some scant information about your great-grandparents on your mother’s side, which means that the generations that came before them are no more than blank space, a void of conjecture and blind guesswork.
Your eyes water up when you watch certain movies, you have dropped tears onto the pages of numerous books, you have cried at moments of immense personal sorrow, but death freezes you and shuts you down, robbing you of all emotion, all affect, all connection to your own heart. From the very beginning, you have gone dead in the face of death, and that is what happened to you with your mother’s death as well. At least for the first little while, the first two days and nights, but then lightning struck again, and you were scorched.
Whenever you find yourself slipping into a nostalgic frame of mind, mourning the loss of the things that seemed to make life better then than it is now, you tell yourself to stop and think carefully, to look back at Then with the same scrutiny you apply to looking at Now, and before long you come to the conclusion that there is little difference between them, that the Now and the Then are essentially the same.
Some memories are so strange to you, so unlikely, so outside the realm of the plausible, that you find it difficult to reconcile them with the fact that you are the person who experienced the events you are remembering.

Sunday, September 27, 2015

Us - David Nicholls

Every individual on this planet has a unique approach towards life...Most of the times they clash when two people from entirely different perspectives on life live together under the same roof...The marriage of the wild and crazy artist Connie and the very ordinary and stable scientist Douglas is a complete mismatch though they fall in love with each other following the universal law,'The opposites attract'..But could love be the only ingredient required for a successful marriage ?..No,right ?..There are so many other factors that influence a relationship..Here at this very point,starts the story of Douglas and Connie and their only son Albie(or Egg-his nickname),the 'Us' family..

Image courtesy Google
'Us' was written by David Nicholls,followed by his most popular work 'One Day'..Its is the story of Douglas Petersen who tries to save his drowning relationships with his wife and seventeen year old son..Douglas narrates the story to us..To rekindle the love and affection in their relationship they  plan a grand tour to Europe..Douglas feels that he could be able to convince Connie and eventually everything would fall into place by the end of this trip..But whether it happen the way he wish it to be  is the remaining part of the story...'Us' is all about relationships and life perspectives..Also there are some wonderful psychological illustrations..No doubt the writer is a master storyteller with wonderful flow of narration but reading travelogues is a kinda boring for me..I couldn't enjoy them much,for I believe in only experiencing them..Otherwise,readers who can enjoy reading about places would find some wonderful descriptions about Amsterdam night life,Venice streets and Barcelona beaches etc..When it comes to Douglas-Connie's and Douglas-Albie's relationships the author maintained a decent composure through out the novel while judging characters..It's hard for the readers to take sides because everyone appears right on their own way..However we feel a little more concerned about Douglas who is although very caring and loving person but lacks creative and intellectual streak like Connie and Albie..But is love is all about PDAs and creative kinda expression in this typical age of technology ? Still thinking....

Pages :412

Here I'm sharing few favourite lines from the book,

I had always been led to believe that ageing was a slow and gradual process, the creep of a glacier. Now I realise that it happens in a rush, like snow falling off a roof.

It is not necessary to be seen to be right about everything, even when that is the case.

Soon I found myself sitting between two actors on drugs, a position that, a number of peer-reviewed research papers have since confirmed, is precisely the worst place a biochemist can be.

I don’t really think it’s my “scene”, Karen.’

Emotional intelligence, the perfect oxymoron! 

It seemed the tendency to wilfully misinterpret jokes was contagious.

Don’t you see?’ said Connie, hurling cutlery at the drawer. ‘Even if it’s hard, he has to try! If he loves it, we have to let him try. Why must you always have to stomp on his dreams?
I’ve got nothing against his dreams as long as they’re attainable.’ 
‘But if they’re attainable then they’re not dreams!
And that’s why it’s a waste of time!’ I said. ‘The problem with telling people that they can do anything they want to do is that it is objectively, factually inaccurate. Otherwise the whole world would just be ballet dancers and pop stars.

When did it start, Douglas?’ she said, her voice low. ‘When did you start to drain the passion out of everything.

After nearly a quarter of a century, the questions about our distant pasts have all been posed and we’re left with ‘how was your day?’ and ‘when will you be home?’ and ‘have you put the bins out?’ Our biographies involve each other so intrinsically now that we’re both on nearly every page. We know the answers because we were there, and so curiosity becomes hard to maintain; replaced, I suppose, by nostalgia.

There’s a saying, cited in popular song, that if you love someone you must set them free. Well, that’s just nonsense. If you love someone, you bind them to you with heavy metal chains.

Weddings turn the bride and groom into performers.

Was it the happiest day of our lives? Probably not, if only because the truly happy days tend not to involve so much organisation, are rarely so public or so expensive. The happy ones sneak up, unexpected.

Well I can tell you now that married life is not a plateau, not at all. There are ravines and great jagged peaks and hidden crevasses that send the both of you scrabbling into darkness. Then there are dull, parched stretches that you feel will never end, and much of the journey is in fraught silence, and sometimes you can’t see the other person at all, sometimes they drift off very far away from you, quite out of sight, and the journey is hard. It is just very, very, very hard.

Grief is as much about regret for what you’ve never had as sadness for what you’ve lost.

Humans, I mean. It feels too much like a test, like surviving in the wilderness. It’s a good experience to have, one is pleased to have succeeded, but it’s still not the best. I miss company.

But perhaps it’s a delusion for each generation to think that they know better than their parents. If this were true, then parental wisdom would increase with time like the processing power of computer chips, refining over generations, and we’d now be living in some utopia of openness and understanding.

The great virtue of defeat, once accepted, is that it at least allows one to rest.

Tuesday, August 25, 2015

You are not so smart - David McRaney

After a long long time, I'm back here with my new reading experience. I recently finished reading "You are not so smart" by David McRaney. I would like to share few interesting lines from the book. Actually there are many interesting concepts in this book that challenge our rigid notions of human conscious. Though I enjoyed the read, I skipped some experimental parts related to psychology. Here are few of my favourite lines from the book. Don't forget to read the last paragraph on conformity.

Image courtesy Google

THE MISCONCEPTION: You are a rational, logical being who sees the world as it really is.
THE TRUTH: You are as deluded as the rest of us, but that’s OK, it keeps you sane.

You are naturally hindered into thinking in certain ways and not others, and the world around you is the product of dealing with these biases, not overcoming them.

You are a story you tell yourself. You engage in introspection, and with great confidence you see the history of your life with all the characters and settings—and you at the center as protagonist in the tale of who you are. This is all a great, beautiful confabulation without which you could not function.

THE MISCONCEPTION: You know when you are being influenced and how it is affecting your behavior.
THE TRUTH: You are unaware of the constant nudging you receive from
ideas formed in your unconscious mind.

THE MISCONCEPTION: You know when you are lying to yourself.
THE TRUTH: You are often ignorant of your motivations and create fictional narratives to explain your decisions, emotions, and history without realizing it.

You want to be right about how you see the world, so you seek out information
that confirms your beliefs and avoid contradictory evidence and opinions.people weren’t buying books for the information, they were buying them for the confirmation. (Some time back,I said the same lines while talking about my reading habits..:P)

Over time, by never seeking the antithetical, through accumulating subscriptions to magazines, stacks of books, and hours of television, you can become so confident in your worldview that no one can dissuade you. Remember, there’s always someone out there willing to sell eyeballs to advertisers by offering a guaranteed audience of people looking for validation. Ask yourself if you are in that audience. In science, you move closer to the truth by seeking evidence to the contrary. Perhaps the same method should inform your opinions as well.

THE MISCONCEPTION: After you learn something new, you remember how you were once ignorant or wrong.
THE TRUTH: You often look back on the things you’ve just learned and assume you knew them or believed them all along.

Charles Darwin said it best: “Ignorance more frequently begets confidence than does knowledge.” Whether it’s playing guitar or writing short stories or telling jokes or taking photos—whatever—amateurs are far more likely to think they are experts than actual experts are.

THE MISCONCEPTION: You are more concerned with the validity of information than the person delivering it.
THE TRUTH: The status and credentials of an individual greatly influence your perception of that individual’s message.

When you see the opinions of some people as better than others on the merit of their status or training alone, you are arguing from authority.

THE MISCONCEPTION: If you can’t trust someone, you should ignore that person’s claims.
THE TRUTH: What someone says and why they say it should be judged
separately.

THE MISCONCEPTION: People who are losing at the game of life must have done something to deserve it.
THE TRUTH: The beneficiaries of good fortune often do nothing to earn it, and bad people often get away with their actions without consequences.

On fashion and consumerism,
Wait long enough, and what was once mainstream will fall into obscurity. When that happens, it will become valuable again to those looking for authenticity or irony or cleverness. The value, then, is not intrinsic. The thing itself doesn’t have as much value as the perception of how it was obtained or why it is possessed. Once enough people join in, like with oversized glasses frames or slap bracelets, the status gained from owning the item or being a fan of the band is lost, and the search begins again. You would compete like this no matter how society was constructed. Competition for status is built into the human experience at the biological level. Poor people compete with resources. The middle class competes with selection. The wealthy compete with possessions. You sold out long ago in one way or another. The specifics of who you sell to and how much you make—those are only details.

A wonderful description about conformity,
Most people, especially those in Western cultures, like to see themselves as individuals, as people who march to a different beat. You are probably the same sort of person. You value your individuality and see yourself as a nonconformist with unique taste, but ask yourself: How far does this nonconformity go? Do you live in an igloo made of boar tusks in the Arizona desert while refusing to drink the public water supply? Do you speak a language you and your sister created as children and lick strangers on the face during the closing credits of dollar-theater matinees? When other people applaud, do you clap your feet together and boo? To truly refuse to conform to the norms of your culture and the laws of the land would be a daunting exercise in futility. You may not agree with the zeitgeist, but you know conformity is part of the game of life. Chances are, you pick your battles and let a lot of things slide. If you travel to a foreign country, you look to others as guides on how to behave. When you visit someone else’s home, you do as that person does. In a college classroom you sit quietly and take notes. If you join a gym or start a new job, the first thing you do is look for clues as to how to behave. You shave your legs or your face. You wear deodorant. You conform. As psychologist Noam Shpancer explains on his blog, “We are often not even aware when we are conforming. It is our home base, our default mode.” Shpancer says you conform because social acceptance is built into your brain. To thrive, you know you need allies. You get a better picture of the world when you can receive information from multiple sources. You need friends because outcasts are cut off from valuable resources. So when you are around others, you look for cues as to how to behave, and you use the information offered by your peers to make better decisions. When everyone you know tells you about an awesome app for your phone or a book you should read, it sways you. If all of your friends tell you to avoid a certain part of town or a brand of cheese, you take their advice. Conformity is a survival mechanism.

The world outside your head and the world inside it are not identical. The information flowing into consciousness from your senses is not only limited by your attention, but also edited before it arrives. Once there, it mixes like paint with all the other thoughts and perceptions swirling inside your cranium. The way you feel, the culture you grew up in, the task at hand, the chaos of technology and society—it all creates a granular, busy visual world. Only a slice of it arrives in your mind. Despite this, the great circus of human activity and invention goes on. You choose what to see more than you realize, and then you form beliefs without taking into account your selective vision. You can’t do much about it other than to choose wisely when it is important. Don’t put faith in your senses when you wear a hands-free headset in the car or lose yourself in a book in a public place. The unexpected isn’t guaranteed to jar you out of your daydream.


THE MISCONCEPTION: You are one person, and your happiness is based
on being content with your life.
THE TRUTH: You are multiple selves, and happiness is based on satisfying
all of them.

Happy reading friends..:)

Monday, May 25, 2015

An artist of the floating world - Kazuo Ishiguro

'An artist of the floating world' is written by Kazuo Ishiguro who was born in Nagasaki moved to England when he was five..This work has won Whitbread Prize..The story was set in Japan,a couple of years after world war II..It is the story of a retired famous artist  Masuji Ono..The novel is narrated by Ono himself where he describes about the conditions of Japan before and after war..With his wife and son killed in the war,he lives with his younger daughter Noriko..The elder daugher Setsuko was already married and she has a son named Ichiro and Noriko was yet to get married..Ono feels Noriko's engagement was cancelled as the boy's party were concerned about his past..He constantly sees himself responsible for the war in some way and feels guilty that war made things difficult for Noriko..Also after war,the youth was not happy with the elders's choice of adopting imperialism..However people like Ono were very proud of their choices when they were young..Thus,Ono not only struggles to cope with the changing cultural patterns of society but also suffers from guilt.

Image Courtesy Google
 The story moves further when Ono narrates his youth as a student at Mori-san..When he was young, Ono chooses imperialism is the best option for his nation,and he uses his art as a medium to provoke people against politicians..Eventually he becomes an outcast when his teacher Mori-san sends him out of his art school for being disloyal to the society..At one point Ono says,'I cannot be an artist of the floating world'..But after Japan lost in the war,the war damage questions his very life choices..The tremendous social and cultural changes of his city makes him feel like his choices were wrong in the past..But in the end,he accepts all his mistakes from his past achievements with out regrets.

I want to start reading Ishiguro with his most acclaimed Booker Prize winning work,'The Remains of the Day'..But somehow the appealing title of this book made me read it first..It's very fitting title for the story..So far I did not know about his other works but this one book,I particularly loved it very much..With his wonderful pace of narration you'll certainly have the experience of 'floating world' in Ono's story..The repercussions of adopting imperialism in Japan were very well depicted in the novel..The story appears to be very slow but at the end you feel like you heard a lot while very little had been told..The best part about the book is Ono's reminiscences.

Here are few lines from the book,

One evening not so long ago, I was standing on that little wooden bridge and saw away in the distance two columns of smoke rising from the rubble. Perhaps it was government workers continuing some interminably slow programme; or perhaps children indulging in some delinquent game. But the sight of those columns against the sky put me in a melancholy mood. They were like pyres at some abandoned funeral. A graveyard, Mrs Kawakami says, and when one remembers all those people who once frequented the area, one cannot help seeing it that way.

Having said this, I must say I find it hard to understand how any man who values his self-respect would wish for long to avoid responsibility for his past deeds; it may not always be in easy thing, but there is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life. In any case, there is surely no great shame in mistakes made in the best of faith. It is surely a thing far more shameful to be unable or unwilling to acknowledge them.


Kazuo Ishiguro-Courtesy Google
I liked these things very much...Mori-san's words to Ono..
Gisaburo is an unhappy man. He’s had a sad life. His talent has gone to ruin. Those he once loved have long since died or deserted him. Even in our younger days, he was already a lonely, sad character.’ Mori-san paused a moment. Then he went on: ‘But then sometimes we used to drink and enjoy ourselves with the women of the pleasure quarters, and Gisaburo would become happy. Those women would tell him all the things he wanted to hear, and for the night anyway, he’d be able to believe them. Once the morning came, of course, he was too intelligent a man to go on believing such things. But Gisaburo didn’t value those nights any the less for that. The best things, he always used to say, are put together of a night and vanish with the morning. What people call the floating world, Ono, was a world Gisaburo knew how to value.

It’s hard to appreciate the beauty of a world when one doubts its very validity.

It is not, I fancy, a feeling many people will come to experience. The likes of the Tortoise — the likes of Shintaro — they may plod on, competent and inoffensive, but their kind will never know the sort of happiness I felt that day. For their kind do not know what it is to risk everything in the endeavour to rise above the mediocre.

Monday, May 18, 2015

The Fall - Albert Camus

Seems it's philosophy season for me..It's Camus work again..Albeit I made several attempts to stay away,I would easily drawn to this without much effort...Lately I was introduced to the concept of absurd philosophy by Hesse's Steppenwolf..Just a strange coincidence,I found a lot of similarities between these two concepts of Existentialism..Must say a timely read for me..In fact these kind of  reads take a huge toll on me..After finishing one such book,I could't make myself read any sort of lighter tone work for some time,perhaps it's due to lack of emphasis..Is it a sort of obsession ?..Or 'Crisis',might be the precise word !!! After staying in Hesse's world for a little while,I dared to read Camus thinking that perhaps I might understand this man now..But do I ? Let me be honest..Not yet fully..It's not a beautiful tale or surface work to be crystal clear..It is all about a person's most honest and profound thoughts which you anyway compare with your's through out reading..So in the end,the feel of inadequacy strikes you for sure..Cause it's very difficult to come to easy conclusions when it's all about mind game.
Image courtesy Google
Sorry I was off the path..However,attempting to analyze a Camus work is nothing but sheer audacity..All you could do is 'just read'...'The Fall' is Camus's second novel for me after 'The Stranger'..I picked this book some time back but at that time it was beyond my grasp..So,I gave a second read now..Though,I must admit that I struggled at some parts to understand him..I read some sentences twice and thrice..But it's worth reading..Here you'll meet Jean Baptiste Clamence,a lawyer by profession,in a bar called 'Mexico City',in Amsterdam..He calls himself as a 'Judge-Penitent'..Eventually he'll let you know what it is meant for..The narration was in the first person..While reading it appears like it's Clamence's confession  but slowly he includes you in his deep analysis and asks you to put your feet in his shoes..Some wonderful arguments were made on morality,judgments,religion,power,connections and relations...Certainly it is one of the few books that will stretch your nerves..Finally it's a highly recommended and a must read work on 'Existentialism'..

Albert Camus - Image courtesy Google
Here I'm quoting few favourite lines from the book,

Haven’t you noticed that our society is organized for this kind of liquidation? You have heard, of course, of those tiny fish in the rivers of Brazil that attack the unwary swimmer by thousands and with swift little nibbles clean him up in a few minutes, leaving only an immaculate skeleton? Well, that’s what their organization is. “Do you want a good clean life? Like everybody else?” You say yes, of course. How can one say no? “O.K. You’ll be cleaned up. Here’s a job, a family, and organized leisure activities.” And the little teeth attack the flesh, right down to the bone.
But I am unjust. I shouldn’t say their organization. It is ours, after all: it’s a question of which will clean up the other.

I was at ease in everything, to be sure, but at the same time satisfied with nothing.

It seemed to me that I was half unlearning what I had never learned and yet knew so well — how to live. Yes, I think it was probably then that everything began.

I wasn’t good enough to forgive offenses, but eventually I always forgot them. And the man who thought I hated him couldn’t get over seeing me tip my hat to him with a smile. According to his nature, he would then admire my nobility of character or scorn my ill breeding without realizing that my reason was simpler: I had forgotten his very name.

I lived consequently without any other continuity than that, from day to day, of I, I, I. From day to day women, from day to day virtue or vice, from day to day, like dogs — but every day myself secure at my post. Thus I progressed on the surface of life, in the realm of words as it were, never in reality. All those books barely read, those friends barely loved, those cities barely visited, those women barely possessed! I went through the gestures out of boredom or absentmindedness. Then came human beings; they wanted to cling, but there was nothing to cling to, and that was unfortunate — for them. As for me, I forgot. I never remembered anything but myself.

Some cry: “Love me!” Others: “Don’t love me!” But a certain genus, the worst and most unhappy, cries: “Don’t love me and be faithful to me!

Men are never convinced of your reasons, of your sincerity, of the seriousness of your sufferings, except by your death.. So long as you are alive, your case is doubtful; you have a right only to their skepticism. So if there were the least certainty that one could enjoy the show, it would be worth proving to them what they are unwilling to believe and thus amazing them.

One dies if necessary, one breaks rather than bending. But I bend, because I continue to love myself.

I encountered hostility especially among those who knew me only at a distance without my knowing them myself. Doubtless they suspected me of living fully, given up completely to happiness; and that cannot be forgiven. The look of success, when it is worn in a certain way, would infuriate a jackass.

Your successes and happiness are forgiven you only if you generously consent to share them. But to be happy it is essential not to be too concerned with others.

Happy and judged, or absolved and wretched. As for me, the injustice was even greater: I was condemned for past successes. For a long time I had lived in the illusion of a general agreement, whereas, from all sides, judgments, arrows, mockeries rained upon me, inattentive and smiling. The day I was alerted I became lucid; I received all the wounds at the same time and lost my strength all at once. The whole universe then began to laugh at me.

But especially because wealth shields from immediate judgment, takes you out of the subway crowd to enclose you in a chromium-plated automobile, isolates you in huge protected lawns, Pullmans, first-class cabins. Wealth, cher ami, is not quite acquittal, but reprieve, and that’s always worth taking.

Above all, don’t believe your friends when they ask you to be sincere with them. They merely hope you will encourage them in the good opinion they have of themselves by providing them with the additional assurance they will find in your promise of sincerity. How could sincerity be a condition of friendship? A liking for truth at any cost is a passion that spares nothing and that nothing resists. It’s a vice, at times a comfort, or a selfishness. Therefore, if you are in that situation, don’t hesitate: promise to tell the truth and then lie as best you can. You will satisfy their hidden desire and doubly prove your affection.

Then I realized, as a result of delving in my memory, that modesty helped me to shine, humility to conquer, and virtue to oppress. I used to wage war by peaceful means and eventually used to achieve, through disinterested means, everything I desired. For instance, I never complained that my birthday was overlooked; people were even surprised, with a touch of admiration, by my discretion on this subject. But the reason for my disinterestedness was even more discreet: I longed to be forgotten in order to be able to complain to myself.

With its flat shores, lost in the fog, there’s no saying where it begins or ends. So we are steaming along without any landmark; we can’t gauge our speed.We are making progress and yet nothing is changing. It’s not navigation but dreaming.

Monday, May 4, 2015

The absolutely true dairy of a part-time Indian - Sherman Alexie

If I start reading a book I've got a habit of reading it fully whether it is good or bad..But some time back 'The Catcher in the rye' forced me to break that practice..Somehow,I was too impatient towards the narration..Now when I was reading 'The Absolutely true diary of a part-time Indian' I felt the narration was so similar to that book..But the difference here is,I loved this one..I remembered Oscar Wilde's quote somehow,"If you want to tell people the truth, make them laugh, otherwise they'll kill you.”...The Author simply followed that rule in his semi-autobiographical work..Despite of many heartbreaking revelations,Author Sherman Alexie maintained the witty narration throughout the book.

Image courtesy Google
This is the story of a fourteen year old young boy Arnold Spirit Jr. known as Junior from Spokane Indian reservation (Native Americans) in Wellpinit..This weird boy with few physical disabilities(a huge head and very little body),lives with his father,mother,sister and grandmother..Rowdy was his best buddy and Eugone his uncle..Drawing comics was Junior's hobby..Junior refers to his home reservation as 'the rez'..In many ways, Junior is engulfed by the emotional realities of his life and his community..Like many other families in the rez,his family was also very poor and Junior's parents,Rowdy's father,and others in their community are alcohol addicts..They get in to that habit to escape from their cursed lives..Eventually Junior's family suffers the lose of his grandmother and sister because of that habit..At one point he says, "I'm fourteen years old and I've been to forty-two funerals," Junior says. "That's really the biggest difference between Indians and white people." In the community if Wellpinit, everyone is related, everyone is valued, everyone lives a hardscrabble life, everyone is at risk for early death, and the loss of one person is a loss to the community. Compare Wellpinit to Reardan, whose residents have greater access to social services, health care, and wealth, and people are socially distanced from each other."

Junior's ordinary life takes a tremendous turn when he decides to join the White's school in Reardan..By then he is the only Indian boy in Reardan school other than the school Mascot...Nevertheless,in that school,he become friends with beautiful Penelope,the Giant boy-Roger and and the genius-Gordy who respect him and stand by his side..Besides,his community turns against him for his decision..Rowdy starts hating him,also he stands against him in Basket ball match..Now the question is,whether Junior succeeds in erasing his odd man out image from Whites community ? Whether he would be accepted back from his Wellpinit community for his betrayal as an Indian ? When we got to the end of the book,where Arnold and Rowdy play basketball,the result of the game leads to further consequences in the story..The book is about Junior's internal struggle as a member of Spokane Indian reservation who was helplessly living a life without dreams,opportunities or any possibilities..This is his battle against racism and white power structure..Apart from the hilarious narration,beautiful comics given by Ellen Forney at suitable situations is one of the best part of the book..The language used is so simple and purely native American..Motivating and amusing yet intense and piercing this 'National book award' winning work is one of the best in young adult fiction..

By drawing cartoons, Junior feels safe. He says,
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning.But when you draw a picture, everybody can understand it.

He describes his home reservation with great sarcasm as "located approximately one million miles north of Important and two billion miles west of Happy."

"It sucks to be poor, and it sucks to feel that you somehow deserve to be poor. You start believing that you're poor because you're stupid and ugly. And then you start believing that you're stupid and ugly because you're Indian. And because you're Indian you start believing that you're destined to be poor. It's an ugly circle and there's nothing you can do about it. Poverty doesn't give you strength or teach you lessons about perseverance. No, poverty only teaches you how to be poor."

Sherman Alexie-Image Courtesy Google
 Here are few lines from the book,

And trust me, there are times when the last thing you want to hear is the truth.

Rowdy and I are inseparable. 'Because Geometry Is Not a Country Somewhere Near France'

He smiled mysteriously. Adults are so good at smiling mysteriously. Do they go to  college for that?

Gordy said. "If you're good at it, and you love it, and it helps you navigate the river of the world, then it can't be wrong."

"Okay, so it's like each of these books is a mystery. Every single book is a mystery. And if you read all the books ever written, it's like you've read one giant mystery. And no matter how much you learn, you just keep on learning there is so much more you need to learn.

Travelling between Reardan and Wellpinit, between the little white town and the reservation, I always felt like a stranger.I was half Indian in one place and half white in the other.It was like being Indian was my job, but it was only a part-time job. And it didn't pay well at all.

Life is a constant struggle between being an individual and being a member of the community.

I used to think the world was broken down by tribes," I said. "By black and white. By Indian and white. But I know that isn't true. The world is only broken into two tribes: The people who are assholes and the people who are not.

Here are Junior's favourite books,I made a list of my favorite books: 1. The Grapes of Wrath 2. Catcher in the Rye 3. Fat Kid Rules the World 4. Tangerine 5. Feed 6. Catalyst 7. Invisible Man    8.Fools Crow 9. Jar of Fools.

Tuesday, April 28, 2015

Steppenwolf - Hermann Hesse

Absolutely brilliant..!!!

Harry Haller notebooks found with a headline..""Not for every one ---  For mad people only"..

For me,'Steppenwolf' is Hesse's second novel after 'Siddhartha'..The later was a haunting read,but after reading this,that work seems like a tiny tale..I picked up this book taking Siddhartha's lighter tone in to account,but it turned out to be absolutely complex and abstruse philosophy..Yes you heard me right,philosophy again..'Steppenwolf' was written by the German-Swiss Noble laureate,Hermann Hesse,who was immensely influenced by the mysticism of Eastern philosophy..

Courtesy Google
This work is an autobiographical work of Hesse himself as the protagonist Harry Haller,a fifty year old man's inwards journey,which explains the phenomenon of mid-life crisis..Abandoned by his wife he vanishes from society in to deep isolation with suicidal instincts..He would ready to test the limits of human suffering while staying in an attic with his books,away from bourgeoisie life...Inability to 'play the game of life' is something that characterizes Haller from the outset of the novel..Harry finds his dual personality as a human being and a wolf(wolf of steppes)..'The human' is a world of ideas, feelings, culture, domesticated and sublimated nature where as 'a wolf' is a dark world of instincts,savagery, cruelty, nature unsublimated and raw..A pamphlet that comes into his hands after a night out drinking,entirely changes his perspective of life..With the help of people like,Hermione-His ideal woman of love,Pablo-The musician and Maria-The prostitute,Harry comes out as a changed man,full of life after the Magic theater (a metaphor) sequence..

A prominent genre in German literature is the 'Bildungsroman' or novel of education...In contrast to the broadly realist novel traditions of England and France it focuses on the development of a central character from inexperienced youth to eventual maturity.Wider social concerns, while by no means ignored, tend to play a subordinate role to this process of personal education, in which philosophical ideas also often have a major role to play..We can say,Hesse’s Steppenwolf is a ‘Bildungsroman’,but with a variation in that Harry is at the outset already a highly educated man,a great author and sophisticated connoisseur of literature and classical music.

""Two souls, alas, dwell in my breast!’ Such crude dualism is still central to Western thought, it is argued, despite the fact that Indian philosophy long ago exposed it as a delusion, since in reality human beings consist of multiple souls.""

The author says,'Of all my works Steppenwolf seems to me to be the one that has been more frequently and more drastically misunderstood than any other'...The writing appears to be partly pathological, partly beautiful fantasies rich in ideas,but slowly evokes the positive,serene world of peace..Harry's discussions regarding 'Lord Krishna' reveals that the author was greatly influenced by Indian philosophy and 'Karma Siddhantha'...In one or the other way we all could  relate and identify ourselves with the 'Steppenwolf' image..Unlike my earlier reads it took long time to fully digest the content..Even after finishing this book,I feel like staying in Hesse's world for some more time...This book is strictly for people who are very familiar with the paths of isolation..Definitely not an easy read,you need to be cent percent there,while reading..Although Steppenwolf’s story is one of sickness and crisis, these do not end in death or destruction. On the contrary: they result in a cure...Being a Gemini I could easily relate myself to Harry's dual nature which is always in conflict..There are also few parts I failed to understand..But I loved the book to the core that I would definitely give it a second read some time.

Here are few more interesting lines from the book,

As a body every human being is a single entity, as a soul never. Traditionally literature too, even at its most sophisticated, operates with ostensibly whole, ostensibly unified characters. In literature as we know it so far, the genre most highly regarded by experts and connoisseurs is drama. Rightly so, for drama offers the greatest opportunity to represent the self as multiple, or might do so, if only outward appearances didn’t contradict this impression, each individual character being deceptively portrayed as a unity because he or she is inevitably encased in a unique, unified and self-contained body.

“Most people have no desire to swim until they are able to.” Isn’t that a laugh? Of course they don’t want to swim! After all, they were born to live on dry land, not in water. Nor, of course, do they want to think. They weren’t made to think, but to live! It’s true, and anyone who makes thinking his priority may well go far as a thinker, but when all’s said and done he has just mistaken water for dry land, and one of these days he’ll drown.’

What we think of as acts of cruelty are in reality nothing of the kind. Someone from the Middle Ages would still find the whole style of our present-day life abhorrent, but cruel, horrifying and barbaric in a quite different way. Every age, every culture, every ethos and tradition has a style of its own, has the varieties of gentleness and harshness, of beauty and cruelty that are appropriate to it. Each age will take certain kinds of suffering for granted, will patiently accept certain wrongs. Human life becomes a real hell of suffering only when two ages, two cultures and religions overlap. Required to live in the Middle Ages, someone from the Graeco-Roman period would have died a wretched death by suffocation, just as a savage inevitably would in the midst our civilization.

Now, there are times when a whole generation gets caught to such an extent between two eras, two styles of life, that nothing comes naturally to it since it has lost all sense of morality, security and innocence. A man of Nietzsche’s mettle had to endure our present misery more than a generation in advance. Today, thousands are enduring what he had to suffer alone and without being understood.

Harry’s case, on the other hand, was different. In him the human being and the wolf went their own separate ways. Far from helping one another, they were like mortal enemies in constant conflict, each causing the other nothing but grief. When two mortal enemies are locked in one mind and body, life is a miserable business. Well, to each his lot. None of us has it easy.

Just as there are exceptions to every rule, and one lone sinner may under certain circumstances be more pleasing to God than ninety-nine righteous people.

Every human type has its hallmarks, its personal signatures. Each has its virtues and vices, its own deadly sin.

Those who live for power are destroyed by power, those who live for money by money; service is the ruin of the servile, pleasure the ruin of the pleasure-seeker. Thus it was Steppenwolf’s independence that proved his downfall.


Members of the bourgeoisie are therefore essentially creatures weak in vital energy,timid  individuals, afraid ever to abandon themselves, easy to govern. That is why they have replaced power by majority rule, replaced force by the rule of law, and replaced responsibility by the ballot box.

My life may have been arduous, wayward and unhappy, my experience of humankind’s bitter fate causing me to renounce and reject a great deal, but it had been rich, proud and rich, a life – even its misery – fit for a king. No matter how pitifully I might waste what little time was left to me before finally going under, my life was essentially a noble one. It had a profile and pedigree. Not content with cheap rewards, I had aimed for the stars.

What we here term the art of reconstruction is a way of filling in the gaps in science’s inadequate view of human psychology. To those people who have experienced the disintegration of their selves, we demonstrate that they can reassemble the pieces in a new order of their own choosing whenever they like. They are thus in a position to master the infinite variety of moves in life’s game. Just as writers create a drama from a handful of characters, we are forever able to regroup the separate pieces of our dismantled selves and thus offer them new roles to play, new excitements, situations that are constantly fresh. Look what I mean!

Published  Penguin Modern Classics

Paperback, 222 pages